NYC: The Great Gatsby the Musical on Broadway

F. Scott Fitzgerald’s Jazz Age story gets the full Broadway treatment in The Great Gatsby: singing, dancing, ornate costumes, and sets built to evoke the extravagant 1920s. The production stars Jeremy Jordan as Jay Gatsby and Eva Noblezada as Daisy Buchanan, bringing the novel’s central figures to the stage.

I like two things in particular: the show’s period-inspired design, which gives the story a clear visual world, and the combination of live music, singing, and choreography. Marc Bruni directs, and Dominique Kelley choreographs, so the experience is more than a familiar story in fancy dress.

The main consideration is the commitment: the performance runs 2 hours and 30 minutes, including one intermission. It is recommended for ages 10 and up, and children under 4 are not admitted, so it is not a fit for every family.

The essentials at a glance

• The story: A Broadway musical adaptation of F. Scott Fitzgerald’s classic novel.
• The leading roles: Jeremy Jordan plays Jay Gatsby, and Eva Noblezada plays Daisy Buchanan.
• The creative team: Marc Bruni directs, with choreography by Dominique Kelley.
• The look and sound: Expect extravagant sets inspired by the 1920s, dazzling costumes, singing, dancing, and a musical score.
• The running time: Two hours and 30 minutes, with one intermission.
• The venue and rules: Present your ticket at the Broadway Theatre. Bring a passport or ID card, and leave cameras and selfie sticks out of the performance.

A classic novel built for the Broadway stage

This production adapts The Great Gatsby for a format that can make a literary story feel immediate: bodies in motion, music in the room, and a stage designed to catch your eye. You are not just following a plot. You are watching the production use dance, song, costumes, and scenery to create its version of the Jazz Age.

That distinction matters if you are deciding between seeing the musical and reading or revisiting the novel. Fitzgerald’s book is known for its narration and careful prose. A stage adaptation has different tools, so the appeal here is the spectacle and performance as much as the story itself. If you want to see how the novel’s world translates into a large-scale musical, this is the point of the ticket.

The production is directed by Marc Bruni and choreographed by Dominique Kelley. Those credits help you understand what shapes the evening: direction guides the stage version of the story, while choreography makes movement part of the show’s storytelling. The supplied details do not name individual songs or describe the full plot sequence, so it is best to arrive ready for a musical interpretation rather than expecting a scene-by-scene reproduction of the book.

The sets and costumes bring the 1920s into view

The design is one of the clearest reasons to choose this show. The sets draw on the extravagance associated with the Roaring Twenties, while the costumes add another layer of period flavor. Together, they give the musical a strong visual frame and help distinguish it from a more spare staging.

I especially like that the sets and clothes are not just decoration. In a story so closely tied to wealth, aspiration, and display, a lavish stage world can help carry the mood. You get the era as a theatrical image, rather than as a lecture about the decade. The production’s extravagance also sets expectations: if you prefer a quiet, stripped-back adaptation, this may be more show than you want.

The available details do not specify individual set pieces or costume changes, so I would not promise a particular visual moment. But the emphasis is clearly on a designed, 1920s-inspired spectacle. That is useful to know if you are booking for someone who enjoys visual theater, or if you want an evening that feels distinct from a straight play.

Singing and choreography make the story move

The show is presented as a musical, with a score, singing, and dancing at its center. Dominique Kelley’s choreography gives movement a named creative lead, while the cast supplies the live performance. If you are drawn to Broadway for the energy of a full musical number, that blend is a major part of the appeal.

The cast includes Jeremy Jordan as Gatsby and Eva Noblezada as Daisy Buchanan. Their roles place them at the heart of the story, and seeing those characters portrayed live gives the adaptation a human focus amid the large-scale design. The information provided identifies these performers in the production, but it does not say whether casting changes by date. If a particular performer is the main reason for your booking, check the date-specific cast details before you buy.

The musical score is described as part of the production, but no composer or song list is provided. That means you can expect music as a key ingredient, not a particular style or set of familiar numbers. Go for the complete stage experience, rather than assuming you already know what the score will sound like.

Planning for a 2-hour-and-30-minute show

Set aside two hours and 30 minutes for the performance, including one intermission. That is a substantial evening, but the pause gives the show a natural break. The exact timing of the intermission is not specified, so plan around the total running time rather than trying to schedule a precise dinner reservation immediately afterward.

Admission is included with your ticket. Food and drinks are not included, though they are available for purchase. That makes the ticket straightforward in one respect: it covers entry to the show, while any refreshments are an extra choice. Since no ticket price is provided here, I cannot judge the value by a specific dollar amount. Think about what you value in a Broadway night: a live cast, choreography, music, and elaborate period design all come together in one performance.

You present your ticket at the Broadway Theatre. Bring a passport or ID card, as listed in the entry information. Photography inside is not allowed, and flash photography, video recording, and selfie sticks are prohibited. In practice, that means keeping your phone and camera put away once the performance begins. The stage is the thing to watch, not a screen.

Is it right for your family or group?

The show is recommended for people aged 10 and up. Children under 4 are not admitted, and the experience is listed as unsuitable for children under 10. If you are planning a family outing, use those age guidelines as the starting point rather than assuming that a famous novel makes the musical suitable for younger children.

For adults and older children who enjoy musicals, the mix of a literary source, cast performance, choreography, costumes, and elaborate scenery has broad appeal. It may also suit a group with different interests: one person can come for Fitzgerald, another for Broadway performance, and another for the visual design. The production offers several ways into the story without asking everyone to arrive as a devoted fan of the book.

It is less likely to please someone seeking a short, low-key evening or a plain staging focused only on dialogue. The running time is fixed at two and a half hours, and the show’s selling points are its music, dance, and extravagance. If those are what you want from theater, the format makes sense.

Should you book The Great Gatsby?

Book this musical if you want to see Fitzgerald’s story presented as a full-scale Broadway production, with 1920s-inspired sets, costumes, singing, and choreography. The named leads and creative team add useful context, while the 2-hour-and-30-minute running time makes it easy to plan your evening.

Think twice if you are booking for a child under 10, want a brief performance, or prefer theater without a strong visual and musical component. For everyone else, the decision comes down to whether you want the novel’s world translated into a theatrical spectacle. If that sounds like your kind of Broadway night, the ticket brings together story, music, dance, and period design in one place.

FAQ

Where is The Great Gatsby musical performed?

It is performed at the Broadway Theatre in New York. Present your ticket there.

How long does the show last?

The performance lasts 2 hours and 30 minutes, including one intermission.

Who plays Jay Gatsby?

Jeremy Jordan is listed as playing Jay Gatsby.

Who plays Daisy Buchanan?

Eva Noblezada is listed as playing Daisy Buchanan.

Who directs the production?

Marc Bruni directs the musical.

Who is responsible for the choreography?

Dominique Kelley is credited with choreography.

What is included with the ticket?

The ticket includes admission to the show.

Are food and drinks included?

No. Food and drinks are available for purchase, but they are not included with admission.

Is the show suitable for young children?

The show is recommended for ages 10 and up. Children under 4 are not admitted, and it is listed as unsuitable for children under 10.

Can I take photos or record the show?

No. Photography inside is not allowed. Flash photography, video recording, and selfie sticks are prohibited.